Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Wednesday, July 18, 2018

Speculative Fiction: Horror

What is horror? What makes it different from other kinds of speculative fiction?
Louise Ross, Just-Us League Writer
Last month, we compared fantasy, science fiction, horror, and paranormal. Today, guest writer Louise Ross will give us a deeper look at Horror.

What is Horror?

In its essence, horror draws on the things we fear, whether that is the masked slasher or the dark hallway. It’s generally defined as speculative fiction, but it does not require a supernatural or fantasy element. Consider Edgar Allan Poe’s story The Tell-Tale Heart which includes nothing extraordinary other than one man’s wild imagination, first about his neighbor’s eye and then about his heart.
It’s a genre, I promise!
Horror can be hard to define sometimes because it is often used as a story element. For instance, last week, I read a romance story. In the story, the male lead character paced in a hospital waiting room, ruminating on the horrible things that could be happening, as the female lead character gave birth during a high-risk pregnancy. The scene played on fear, guilt, and dread. These are part of the same emotions the horror genre pulls on.
The difference between horror as an element and horror as a genre comes from the overall novel. Sometimes a horror novel is defined by facing and overcoming a fear like Harker facing Dracula. Other times, a novel is horror because the main plot device is horror such as Silence of the Lambs which is a mystery told through action and terror.

Evolution of the Horror genre
Horror has been around since the earliest of the plays and can be seen in early adaptations of spoken stories (afterall scarring your friends around a campfire has a long tradition, and fear can be a useful teaching tool). Some of the earliest horror stories are those that involve death, such as ghosts and empty tombs. As an example, consider the storied of death who comes to town spreading plagues or appearing like a skeleton.
Early Themes
Early horror themes also include persecution. In 300-1300 AD, stories which accused individuals of satanism appear, and by 1500-1700 witch stories are so commonly told and believed that there are waves of witch trials and witch burnings.
Our fascination of monsters is not new either. The Greek and Roman myths are full of grotesque beasts which threaten man and the werewolf legends trace back further than Dracula.
A shift in the genre
Around the 18th century, horror shifts. The stories become less about a frightening creature and more about the character’s reactions to the creature. This is the gothic era of horror, which typically featured women trapped in frightening castles.
By the 19th century, the most famous horror authors are creating haunting tales of psychological terror and gruesome monsters that have become icons today. These authors include Mary Shelley, Edgar Allan Poe, Robert Louis Stevenson, Kafka, H.G. Lovecraft, Goethe, and the Brothers Grimm.
By the 20th century, horror developed based upon the changing communication technology: mass distribution, radio, and film. This included news based horror such as the sensationalized serial killers like Jack the Ripper, dime store and pulp horror stories, radio broadcasts such as the infamous War of the Worlds, and film from the slashers to The Shining.

Why we read or write Horror

Fear is a basic human instinct. It can be learned, such as stranger danger; experienced personally, such as the pain of touching a hot stove; or imagined, like the monster under the bed.
Fear tends to create a survival instinct, typically fight, flight or freeze. It heightens our awareness and kick starts adrenaline. These are strong reactions and can be exciting. A word of caution though, fear is only exciting because of the release and resolution. While confronted with the serial killer or the slavering werewolf, fear can be useful or hindering, but once the serial killer or werewolf have passed by, that’s when the excitement and overwhelming emotion become energizing to most people. Therefore in writing or reading horror, it is the moment of relief or the resolution that becomes the factor which determines the story’s effect.
Where is Horror going today?
The current trend in horror is toward blending horror with other genres. Horror romance, horror erotica, dark fantasy, and dark humor are all current genres. In my opinion, anytime there is a development toward blending genres, we also see a movement toward the purist genre as well.

Conclusion

Horror is a genre built off our basic emotional instincts and will adapt overtime.

We hope you’ve enjoyed this guest blog post from one of our friends at Just-Us League Writers. You can follow her on Facebook, Twitter, or on her website. You can also find her latest short story, a fairy tale retelling of Goldilocks in a Just-Us League anthology, A Bit of Magic: A Collection of Fairy Tale Retellings.
Writing from the greater Kansas City area, Louise Ross escapes into writing after her full time career. She aspires to be happy and healthy, and when given the chance, she enjoys writing about everyday people living in fantasy worlds.

Readers aren’t likely to find high court fae or princesses in her work. Outside of writing, Louise quilts, plays computer games, and works; her least favorite thing to do is clean the toilet. Some of her short stories can be found in the Just-Us League anthologies and on her blog.

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Wednesday, June 13, 2018

Speculative Fiction: Fantasy, Science Fiction, Horror, and Paranormal

What they share and how they’re different.
Brandi Spencer (formerly B. C. Marine), Secretary-Treasurer Authors 4 Authors Publishing
A several weeks ago, we looked at what genres are and the definitions we at Authors 4 Authors Publishing use. This week, it’s an overview of speculative fiction.

Why Speculative Fiction?

As we’ve noted in previous posts about other genres, depending on context, any genre can have varying definitions. Speculative Fiction is no different. Some might define it narrowly as part of a spectrum of science fiction, but it can also be defined as a sort of super-genre or an umbrella under which several others can be classified. Though it might seem counterintuitive, we find the latter definition much more useful.
Why?
Because the genres that it encompasses are so fluid that they often have trouble staying in their boxes. Having a wider definition captures stories that would otherwise be difficult to contain in those genres.
To summarize, speculative fiction is any fiction that asks “what if” and makes up a world or scenario that, while plausible, isn’t possible in our world.
The Elements of Speculative Fiction
So what are these fluid genres? Over the next month, we’ll go over each of these one-by-one, but for the sake of understanding this article, here is a quick overview of all four:
  • Fantasy - While the genre has only been defined since the mid-20th century, fantasy elements have been in stories for as long as they’ve existed. Talking animals, magic, mythical creatures, and imaginary lands are staples of fantasy. Stories feature the impossible and often strive for a sense of wonder. If something does not and could not exist in the real world, it is likely to be fantasy.
  • Science Fiction (sci-fi) - Dating back to the 19th century, science fiction extrapolates scientific concepts and technology beyond their current scope. Space travel, time travel, cloning, genetic enhancement, and robots are staples. Stories feature the not-yet possible and often strive for a sense of wonder. If something does not exist in the real world, but maybe could someday, it is likely to be science fiction.
  • Horror - Like fantasy, elements of horror have existed as long as stories have, but the genre came into its own some time around the 18th century. At its simplest, a horror story seeks to scare the reader. Monsters, psychological fears, and the darkness of humanity are staples. Stories feature anything from the improbable to the impossible and strive for a sense of terror. If something is disturbing or insomnia-inducing, it is likely to be horror.
  • Paranormal - Again, paranormal and supernatural elements have existed throughout history. Ghosts, angels, some monsters, UFOs, and legendary creatures are staples. Stories feature the unexplained and improbable and strive for a sense of wonder or mystery. With the exception of deities, if something has never been proven to exist in the real world yet still has believers, it’s likely paranormal.

Common Ground and Blurred Boundaries

As you probably noticed, there is a lot of overlap between these genres. If you think hard enough, you might even able to name a story that qualifies as all four! Sometimes, especially with an ongoing series that may dip in and out of the genres at points, it can be easier to simply classify it as speculative fiction and move on. Also, when looking for new books, readers are often led to a general selection of speculative fiction because it’s not uncommon for fans of one of the genres to like the others as well.

Common Cross-Genres

All that said, some of the crossover between these fluid genres can defined in popular subgenres.
Science Fantasy
These stories combine magic with technology. Ever heard people debate whether the top two movie franchises in the world are science fiction or fantasy? Star Wars has laser swords and spaceships (sci-fi) as well as heroes that wear robes and wave their hands like wizards to do what is essentially magic (fantasy). The Marvel Cinematic Universe, for example, has aliens and power armor (sci-fi) as well as sorcerers and illusions (fantasy). They have the improbable with the impossible and and overall sense of wonder. They’re science fantasy.
Time Travel
This is typically a sci-fi subgenre, but it’s worth noting that it often shows up in fantasy as well. Usually, the method of travel will indicate whether it’s sci-fi or fantasy. If it’s a machine, it’s probably sci-fi, and if it’s a spell, talisman, or ritual, it’s probably fantasy. But sometimes, the travel itself is not the point of the story, and so the method isn’t made clear. If there are no other indicators in the rest of the story, it might just be time travel speculative fiction.
Dark Fantasy
The child of fantasy and horror, this genre generally has all the trappings of fantasy but intends to disturb and frighten readers. A story with dragons and wizards but also terrifying spider demons? That would be dark fantasy.
Dystopian and Space Horror
Science fiction and horror can combine in a few different ways. Dystopian stories have settings in which the world or society has been ruined, usually via technology in the wrong hands. Space horror explores the more frightening possibilities of alien life or planets or even space travel itself. Both look at the advancements of sci-fi in the worst possible scenario.
Paranormal Horror
This is one of the most natural pairings. When people think of ghost stories, they tend to assume they’ll be scary. The divergence of the two genres is relatively recent, but they are different. A paranormal horror story is the classic ghost story, unknown and frightening.

One Weird Family

Like family members, fantasy, science fiction, horror, and paranormal are all different, but they all have something in common. Speculative fiction stories are all a little strange. It’s what makes them speculative. Their authors look at the world and fundamentally change it for their stories. It’s all a matter of what they change.

Next Time

Over the next few weeks, we’ll delve deeper into each of these genres. Look for next week’s post on fantasy. Have a favorite to read? Let us know on Facebook which of these genres you want to see more of!


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